Well, the Nazis got smashed once again, and later (in our own little way) so did we.
	
	Eaglehead went on first and played a blinder. Unfortunately, nobody gave them any idea as to when to stop.
	They eventually finished with a ferocious cover of "These Boots Are Made for Walking", while Pig Unit and
	Wilson shuffled around nervously, wondering how the hell they were supposed to squeeze their sets into the
	sixty minutes that remained before closing time.
	
	Credit to the Pig Unit boys, who showed immense courtesy in cutting short their set, especially in the
	light of the fact that several dozen people were going entirely mental apeshit at their every move. It's a
	heavy rap-rock sound that they make, but they are probably rather more enticing than that makes them
	sound. Just one quibble - couldn't they change their name to Pigs Unite? Or even Pigs United? (Pig City? -
	sounds like an Iggy bootleg...) (Pigs Villa - now you're just being silly...)
	
	Wilson made it to the stage at about 10:45pm. A number of the players were quite wound up, something that
	was immediately apparent as we kicked off with a newly beefed-up 	
Police Chief
. Possibly because there had
	been a drum kit there before, the stage seemed unusually spacious. I remembered all the shite European
	rock bands that I had seen on TV shows over there, who always seemed to have a moment when the long-haired
	guitar nutter suddenly runs out to the front, stuffs his foot on a monitor and gurns madly as the only
	audible bit of guitar on the whole record suddenly blurts out from the whirring of massed eighties
	synthesisers. And that's what I did. Later on, for reasons to do with getting over-excited, I did the
	James Brown thing and fell down flat on my back mid-solo. Misery and Russ later expressed some concern
	about my physical wellbeing. When I revealed that I'd meant to do that, their concern switched to my
	mental condition. Stevie G was a rock god (great equal of heaven, why do you not grow sideburns?) and
	there was enthusiastic shouting all round.
	
	Unable to do anything about the fact that the bar was on the brink of closing, we ploughed on, and
	incredibly the audience stayed with us. Complete strangers were dancing down the front. Somebody called us
	"Mental Mondays" and bought some records. Things were looking up.
	
	Altogether, we had gone into this night quite confident. Then we ran into all kinds of unexpected
	technical difficulties at soundcheck and found ourselves pushed back into some desperate post-drinking
	graveyard shift, to the point where that confidence was almost entirely dissipated, but STILL we managed
	to come up smelling of the finest Morroccan. Mental
	middle-aged sociopath crew makes desperate last stand, achieves last minute home win. The crowd goes mad.
	Well, Lindsey does anyway.
	
	We bludgeon the 	
Buffalo Sniper
 to death, and as the last howls of feedback fade away a piano rings out
	through the P.A.
	It's Mister Noel Coward, and he's singing: "Don't let's be beastly to the Germans..."